Gallery Review †Nancy Lang Essay

Today, the 9th of March, I have heard of the Pyo Gall(a)ery, and as soon as I heard that it was in Wangjing, I changed my excogitate from going to the Dashanzi District to trying the new place. It was unnoticeable in sal pathsal other galleries. I was favo bolshy to get there before the expo magazine was over. The owner was a Korean, who kindly explained nearly paintings for me. I was glad to find out that they currently had an exhibition of Nancy Langs artwork. I have always treasured to find out more about Nancy Lang ever since I have seen her in person at the art f be I have been to, in Korea last summer. There was her trademark series of restrict Yogini paintings of which I have seen one find fault of it before. Among all of the paintings that smellinged similar in overall size and see to it, I preferred this particular painting the around.Nancy Lang is an American born-Korean come forward artist who is very young and mod. This piece of her is learnd the out(p) Yo gini, Swinger and has an enormous size of 210 x clxxv cm. She used mixed media on canvas to create this huge piece. This painting was finished in the category 2006, when she was 27. On this humungous canvas, there is a big flake in the middle which has the body of a automaton and a head of a girl with some abstract and obscure figures as legs. The subject has a basket full of tennis balls in its remediate pile. The light-blue background is solid with no value.The most interesting aspect about this art piece is the mysterious figure placed in the stub holding the viewers attention. This piece looks more equal a collage than a painting with images habituated on the screen. The positive space is the one and precisely subject on the canvas. The body, which have the appearance _or_ semblances to be a automaton, contains the terce primary colors with a considerable meat of white. These colors together form a deception image of a childs robot toy, attracting the viewers eyes to the center of the figure, which is where the head is placed.An image of the head of a human girl is used, juxtaposing the robot body. In the figures right hand there is a basket of lime colour tennis balls. In the lower part of the art piece, as the legs of the main subject there are two obscure figures that could be hardly described. On the left side there is a sports fan shaped quadrilateral printed on a hopeful material, and on the right side there is a figure that seems alike a mixture of credit line vessels and bones. The objects do not seem to have any(prenominal) connection between them, but as a whole they get together very substantially forming one huge body. The negative space is paint in one tone of light-blue, which helps the subject to go out. Unlike its visual cereal the actual texture of the piece is very smooth just like a painting.Nancy Lang is famous for her mysterious art pieces and wrongful performances. She is a multi-talented young woman who wan ts to be famous and rich, according to her own words. She actually has played a violin in the middle of a alley wearing Victoria Secret lingerie and red high heels with kabuki style makeup. In her series of verboten Yogini, she mixes up diverse icons to create a class of cyborg that she declares to be the ironical construction of the democracies we travel in. According to her, this character Yogini, which originally means a yoga trainee, points to an existence between an angel and devil. So the name of her series Taboo Yogini is in a way representing both good and bad. I think the half-robots that appear on her pieces also represent Nancy Lang herself and the various diametrical sides of her.Nancy Langs paintings are very obscure and concentrated to understand. When I first looked at this piece, I was entirely blown away by the innovative project of the image. However, I could never see the ironical face of the democracies before I read the explanation. These mystical figur es, which look almost like monsters, keep appearing on her canvases expanding the viewers imagination and interpretation of them. Still, I think they are insufficient to clearly generate the authors true intention of creating such images. Nevertheless, it is impossible for one to see through the original mind of an author. I really like Nancy Lang and her innovative spirit. She is afraid of nothing, even the awkward stare of others.